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Degas (Best of), by Nathalia Brodskaya
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Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous painter’s memory retained the particularities of movement of horses wherever he saw them. After his first rather complex compositions depicting racecourses, Degas learned the art of translating the nobility and elegance of horses, their nervous movements, and the formal beauty of their musculature. Around the middle of the 1860s Degas made yet another discovery. In 1866 he painted his first composition with ballet as a subject, Mademoiselle Fiocre dans le ballet de la Source (Mademoiselle Fiocre in the Ballet ‘The Spring’) (New York, Brooklyn Museum). Degas had always been a devotee of the theatre, but from now on it would become more and more the focus of his art. Degas’ first painting devoted solely to the ballet was Le Foyer de la danse à l’Opéra de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier) (Paris, Musée d’Orsay). In a carefully constructed composition, with groups of figures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each one is moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. This is why Degas moved from the theatre on to the rehearsal halls, where the dancers practised and took their lessons. This was how Degas arrived at the second sphere of that immediate, everyday life that was to interest him. The ballet would remain his passion until the end of his days.
- Sales Rank: #1271435 in eBooks
- Published on: 2013-03-15
- Released on: 2013-03-15
- Format: Kindle eBook
About the Author
Patrick Bade is a leading art historian, international guest speaker and senior lecturer at Christie’s Education in Modern Art Studies. A respected authority, he has written numerous publications, including books on Beardsley, Renoir and Rops, also published by Parkstone. This substantial monograph provides a comprehensive survey of the work of an internationally celebrated artist.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Time stands still
By Martin P
While Monet was caught up painting endless hills and Renoir seems to portray what I can only describe as bored subjects, Degas' art has a vibrancy and motion which I feel the Impressionists would otherwise be lacking. From the graceful limbs of the ballerinas mid-flight to the aching muscles of the horses in a race, Degas somehow had the ability to stop time in his paintings.
While Degas often produced variation upon variation of the same subject - the ballet girls, the nudes - I found this book gives examples of some of his best paintings around these often visited subjects, including a couple of personal favorites, `The Rehearsal on Stage' and `Naked Woman Drying her Foot'. Those impressionistic brush strokes are reproduced very well and the images sit well in this large(ish) format book.
I'd recommend this book to anyone with an interest in Degas or the Impressionists in general.
0 of 0 people found the following review helpful.
Too much off target info.
By Frank Mazzant
I am an artist. I am interested in his life and processes. This book has too much info off subject.
0 of 1 people found the following review helpful.
Good selections. A Jewel of genius.
By Amazon Customer
Good selections on an impressionist thay has survived with gloowing colours thrugh ages of pictorial innovation. We could say that Degas is painting better and better every day. A Jewel of genius.
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