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Set in an alternate version of early 1900s England, Copperhead is the sequel to Tina Connolly's stunning historical fantasy debut.
Helen Huntingdon is beautiful—so beautiful she has to wear an iron mask.
Six months ago her sister Jane uncovered a fey plot to take over the city. Too late for Helen, who opted for fey beauty in her face—and now has to cover her face with iron so she won't be taken over, her personality erased by the bodiless fey.
Not that Helen would mind that some days. Stuck in a marriage with the wealthy and controlling Alistair, she lives at the edges of her life, secretly helping Jane remove the dangerous fey beauty from the wealthy society women who paid for it. But when the chancy procedure turns deadly, Jane goes missing—and is implicated in a murder.
Meanwhile, Alistair's influential clique Copperhead—whose emblem is the poisonous copperhead hydra—is out to restore humans to their "rightful" place, even to the point of destroying the dwarvven who have always been allies.
Helen is determined to find her missing sister, as well as continue the good fight against the fey. But when that pits her against her own husband—and when she meets an enigmatic young revolutionary—she's pushed to discover how far she'll bend society's rules to do what's right. It may be more than her beauty at stake. It may be her honor...and her heart.
- Sales Rank: #241335 in eBooks
- Published on: 2013-10-15
- Released on: 2013-10-15
- Format: Kindle eBook
From Publishers Weekly
Moving from the gothic to the political, this feminist urban fantasy (sequel to 2012's Jane Eyre pastiche Ironskin) shifts the war with the Fey from countryside to cityscape. When anti-Fey activist Jane goes missing, her sister, Helen Huntingdon, takes over Jane's role as leader of the anti-Fey forces, which include both humans and dwarvven. Married to the wealthy, useless Alistair, Helen gets involved in organizing the leading ladies of society, fashion, and the arts. With tolerance and tenacity, Helen struggles to overcome prejudice against both dwarvven (as the belligerent pro-human Copperheads chant, One People, One Race) and women while undermining the Fey King's plot against humans and trying to help her sister. Connolly is more inventive than in her previous book, but straying from a good model allows the tension to deflate. More successful than the citywide threat are the domestic dilemmas and a romantic triangle with Helen at its apex. Agent: Ginger Clark, Curtis Brown. (Oct.)
Review
“This is an astonishing book: an evocative re-imagination of Jane Eyre that concerns itself with beauty, love, and social upheaval. This lyrical and utterly marvelous debut is one of the standout books of the year.” ―RT Book Reviews, 4 ½ Stars, Top Pick! on Ironskin
“Connolly has created a complex and well-drawn world here, and the story is indeed an original and imaginative take on the gothic-fiction tradition. An intriguing and ambitious fantasy tale.” ―Kirkus Reviews on Ironskin
“All the romance, mystery, and horror that a good gothic story needs.” ―Portland Monthly on Ironskin
“Jane is ferocious and splendid; the hero is tormented and tragic. Tina Connolly has crafted a steampunk Beauty and the Beast tale, beautifully and cleverly reversed. Don't miss this debut.” ―Ann Aguirre, national bestselling author of Enclave on Ironskin
“A lyrical, beautifully crafted debut. A haunting exploration of the true price one must pay for magic, beauty, and love, Ironskin will stay with me for a long time to come.” ―M.K. Hobson, author of The Native Star on Ironskin
“Clever and romantic at the same time--no mean feat. A magical and entertaining waltz across the fairy forests and dark moors just a sideways step or two from Haworth Parsonage.” ―Ian R. MacLeod, author of Wake Up and Dream on Ironskin
“A gothic, eerie, and pitch-perfect retelling of Jane Eyre, in which the moors are haunted by menacing fae and the hero's secrets are steeped in magic. Ironskin kept me up past my bedtime and stayed with me long after the last page was turned.” ―Leah Cypess, author of Mistwood on Ironskin
“Connolly provides plenty of discussion of fashion, courtship, and marriage for fans of Victorian gothics.” ―Publishers Weekly on Ironskin
About the Author
TINA CONNOLLY lives with her family in Portland, Oregon, in a house that came with a dragon in the basement and blackberry vines in the attic. Her stories have appeared all over, including in Strange Horizons, Lightspeed, and Beneath Ceaseless Skies. She is a frequent reader for Podcastle, and narrates the Parsec-winning flash fiction podcast Toasted Cake. In the summer she works as a face painter, which means a glitter-filled house is an occupational hazard.
Most helpful customer reviews
3 of 3 people found the following review helpful.
like Garlic Parmesan Kettle Chips for solid crunch of Helen's transformation flavored with fey, period society, and hijinks
By kbirdlincoln
My biggest gripe with the first book in this series, Ironskin, was that I liked a touch more romance in my Fantastical Bronte-esque fiction.
Not so with the second in this series, Copperhead.
In Ironskin we are introduced to a society where the fey and humans have had a big war and now the fey seemed to all but have disappeared back into the forest from whence they came. Except for the startling beautiful faces of the Hundred Society women Rochart made out of fey-infused clay in the first book, Ironskin.
Now Ironskin's main character, Jane, is trying to replace the fey faces with the Hundred's original faces-- including that of her sister, Helen.
Helen wants to help, but what's a girl whose fooled everyone into believing she's air-headed and ditzy to do when fey bits start appearing all over town, Jane disappears, and a secret society begins constructing strange apparatus, making curfews, and taking over the town?
And what about that strange man in black who keeps appearing when Helen needs him most?
Although you could plunge into Helen's story without reading Ironskin, first, I recommend reading the books in order. I think Helen's discovery of her own powers-- with or without her fey face-- are made more poignant by having learned of Jane's story in the first book.
While I did get a bit tangled up when it came to the climactic Helen vs. the Fey King scene at the end to who was doing what with which bits of fey, Helen herself is so much fun to hang along with as she tries to reconcile the role she's played as the dutiful wife and daughter with the desires to protect her sister and the city, that it doesn't matter. The understated, quiet building of feelings between her and the man in black also kept the romance lover in me reading on.
A lovely addition to the series featuring a heroine just as plucky as Jane, but in her own way. (and still a lovely Bronte-esque society without the major borrowings from Jane Eyre that Ironskin had)
This Book's Snack Rating: Garlic Parmesan Kettle Chips for the solid crunch of Helen's transformation flavored with yummy bits of fey, period society, and hijinks
2 of 2 people found the following review helpful.
Fabulous Sequel!
By kindlemom1 (My Guilty Obsession)
When I read Ironskin, the companion novel to this one last year I thought it was a pretty unique retelling with fantasy elements that I not only enjoyed but really wanted more of. I didn't quite get the world building and a definite ending that I was hoping for so when this one came out I just knew that it was something I needed to read as well. If not to hopefully get more glimpses of Jane than to at least learn more about the world Jane and Helen lived in.
Where Ironskin was lacking in explanation and world building, this one excelled. The author really came through with wonderful descriptions about the fey, finally explaining the Great War in more length, and delving into the dwarvven beings as well. I was utterly satisfied with where the author took the story and ran with it.
While I wasn't a huge fan of the materialist and sometimes shallow Helen in Ironskin, this was her moment to shine. Her character not only went from a timid self centered young girl to a strong and capable woman but her character grew in all most every way imaginable. She stepped up and took control of a very out of control situation and came through splendidly. In fact her character really grew on me throughout the story and I found myself rooting for her the whole way through.
Once again the author managed to blend the old (historical) with the new (fantasy element) and pulled off a stunning setting fit for any lover of both genres.
My only regret is that Jane didn't have a bigger, stronger role in this installment. I really fell in love with her feisty strong willed character in the first book and I wanted more of her and Rochart. I didn't feel we got enough of their ending in the first book and was slightly disappointed that there wasn't more to their love story. And although there wasn't more to their story there was definitely an ending to it and for that I am grateful. In fact, I love how the whole story was told, how it ended and how it leaves it open for more adventures in the future.
Connolly did an amazing job creating something unique, dangerous, and utterly fun.
1 of 1 people found the following review helpful.
Awesome world, lackluster heroine
By Karissa Eckert
This is the second book in the Ironskin series by Connolly. There is an as yet untitled third book planned in this series which is scheduled for a fall 2014 release. This book was okay, I enjoy the world created here but did not enjoy the heroine.
The Fey are slowly taking over the city and a secret society called Copperhead is becoming more and more prominent. Helen (Jane’s sister) is deep in the middle of it all. Helen is one of The Hundred, the group of women who had their normal faces removed and replaced with Fey faces to become more beautiful. Her husband Alistair is one of the main members in Copperhead. When Jane contacts Helen in help returning women’s real faces back to them Helen is eager to help, especially since it sounds the the Fey are finally making a move to take over the city and it seems like they may try and use The Hundred to do so.
This was a decent book continuing the Ironskin story about Fey taking over the city. This book is from Jane's sister's (Helen's) point of view. It was a well done story and dealt with some interesting issues. But, unfortunately I just thought it was a bit boring. I didn't find Helen to be all that engaging of a character, and though I admire how she changed throughout the story, I just wasn't all that engaged with the story.
Helen is very into being beautiful and very selfish. She comes off as flighty and a bit self-centered. Even when she is trying to help she is mainly doing it to make herself look good, not because she really strongly believes something is right. This changes some as the book continues and she starts to take on some responsibility. I really didn’t enjoy her as a character at all and I was disappointed that Jane was in the story so little.
A main issue raised in this book is that of women being forced to comply to their husbands’ wishes. Many of The Hundred were forced into having their faces improved by their husbands. Some went through the face change to escape abusive husbands, or to win wealthy husbands. Much of this book talks about this and is focused on the theme of how women have to empower themselves if they want to escape from the tyranny of a patriarchal society. At times I felt like it got a bit preachy.
Another major issue is the prosecution of the dwarven people. Copperhead is a “humans only” society and they don’t care that the dwarven are also enemies of the Fey; they just prosecute all non-humans equally. Again, it gets a bit preachy about the importance of equality.
I do love this world that is threatened by Fey infestation. I love how the woman have to wear iron masks to protect themselves from Fey takeover. The secret society of Copperhead was also very well done.
There is a bit of romance here between Helen and a half-dwarven man named Rook. To be honest this romance felt-forced and was awkward. For one Helen is married, secondly Rook always seems more interested in inciting rebellion than anything else. They are more partners in a similar cause and then, bam, suddenly they are in love...it was weird.
The book ties up nicely and is very easy to read. There really isn’t anything left to resolve at the end of this book, so I am very curious to see what the third book will be about.
Overall there are some neat ideas in here and I enjoyed the world-building. I didn’t like Helen as a main character and missed Jane. The plot was interesting, but at times with all the social issues being addressed this got a bit boring and preachy. When I was finished I kind of just thought "Eh, well okay that's over with”. I liked Ironskin a lot better than this book, but if you read Ironskin and enjoyed it I would recommend reading this book to see how the open issues in Ironskin are tied up.
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