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Holding On Upside Down: The Life and Work of Marianne Moore, by Linda Leavell
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Winner of the Plutarch Award for the Best Biography of 2013
A mesmerizing and essential biography of the modernist poet Marianne Moore
The Marianne Moore that survives in the popular imagination is dignified, white-haired, and demure in her tricorne hat; she lives with her mother until the latter's death; she maintains meaningful friendships with fellow poets but never marries or falls in love.
Linda Leavell's Holding On Upside Down—the first biography of this major American poet written with the support of the Moore estate—delves beneath the surface of this calcified image to reveal a passionate, canny woman caught between genuine devotion to her mother and an irrepressible desire for personal autonomy and freedom. Her many poems about survival are not just quirky nature studies but acts of survival themselves.
Not only did the young poet join the Greenwich Village artists and writers who wanted to overthrow all her mother's pieties but she also won their admiration for the radical originality of her language and the technical proficiency of her verse. After her mother's death thirty years later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity. She won virtually every literary prize available to her and was widely hailed as America's greatest living poet.
Elegantly written, meticulously researched, critically acute, and psychologically nuanced, Holding On Upside Down provides at last the biography that this major poet and complex personality deserves.
- Sales Rank: #687627 in eBooks
- Published on: 2013-10-22
- Released on: 2013-10-22
- Format: Kindle eBook
From Publishers Weekly
An engaging blend of literary criticism and biography, this ambitious work by literature professor and Moore scholar Leavell (Marianne Moore and the Visual Arts: Prismatic Color) challenges the persistent image of the modernist poet as a repressed and withdrawn spinster. From Moore's birth in Missouri in 1887, the book follows her lively intellectual development and years of unpublished obscurity, up until 1915, when she began to find outlets for her work. Her dense, cryptic, and complicated poems attracted the attention of avant-garde writers like T.S. Eliot, William Carlos Williams, and H.D. Torn between her closeness to her mother (with whom she lived all her life) and her desire to achieve literary celebrity, Moore went on to work at The Dial in the late 1920s and became a fixture of literary society. She toiled away for years as a poet's poet with a scant popular readership, eventually rising to national prominence when her Collected Poems swept the literary prizes in 1952, establishing Moore as a doyenne of letters until her death 20 years later. Where Leavell's biography stakes its claim is in its unprecedented insight into Moore's family relationships, made possible through previously unavailable materials furnished by her estate. In this well-researched biography, Moore emerges as a poet of freedom with a passionate inner life. Agent: Susan Rabiner, Susan Rabiner Literary Agency. (Oct.)
From Booklist
*Starred Review* Marianne Moore (1887–1972) is a “poet of paradoxes,” Leavell asserts at the outset of this superb, recalibrating biography, the result of three decades of intense effort. Singular in her tricorne hat and black cape, Moore eventually became a “celebrity and public poet.” But before her red hair turned white, Moore was an enigma, “one of the most radical of the new poets,” living docilely, it seemed, with her mother. Leavell tells the entire intense story of the poet’s pre-Revolutionary War heritage; her institutionalized father, whom she never met; the intensely symbiotic relationships between Moore, her mother, Mary, and her brother, Warner; and Mary’s long-lasting love affair with another woman. Leavell’s cogent interpretations of Moore’s poetry and chronicling of how diligently she pursued startling artistic innovation under her mother’s watchful eye in Greenwich Village and Brooklyn while teaching, working in a library, and serving as editor for The Dial, are equally revelatory. Like a sculptor working in clay, Leavell steadily builds up contour and texture as she portrays Moore as a poet of “sly wit” and “undetected but stormy passion,” who jumped rope on the roof of her apartment building and assiduously perfected “unconventional meter, unsentimental subject matter,” and scientific precision in poems about exotic animals, “freedom in confinement,” and “a sense of human dignity and reverence for mystery.” --Donna Seaman
From Bookforum
Holding On Upside Down is deliberate and sensitive—“creeping slowly as with meditated stealth,” in Moore’s words—and capable of containing her many contradictions, most notably her desires for recognition and privacy. Few poets resist and reward patient study as much as Marianne Moore, and if we look at her through the bars of this sympathetic biography, I don’t think she’d much mind. —Parul Sehgal
Most helpful customer reviews
13 of 13 people found the following review helpful.
Another disfunctional American family makes good. Marianne Moore's struggle with acceptance and independence.
By silvercitygreek
This would make a great movie. Here is the story of one of America's great poets of the 20th century, as told by a researcher granted extraordinary access to the papers of Miss Moore and others. Marianne never knew or learned much about her father. Instead, she lived frugally with her lesbian mother in a tiny apartment for much of her life. Her mother, Mary, called Marianne "he," and other terms the reader will discover. Her mother became both her greatest asset as well as her greatest critic and life detractor. It was only after Mary's death that Marianne came out of her shell to enjoy life more fully.
Only a few of Ms. Moore's poems are included in this definitive work, and even then only portions. Most of those written during the early part of her career are difficult to understand. The biographer skillfully explains what can be explained.
If you are into poetry, this is the book for you. If you are into unusual biographies, this is definately the book for you. Chances are you'll end up being grateful for the life you are now living.
3 of 3 people found the following review helpful.
A fascinating biography.
By David Anthony Sam
Leavell's account of the life and work of Marianne Moore raised some objections that it was unfair to Moore's mother. The Moore family dynamics were certainly off. But Leavell adds to the case that Moore was one of our most significant American poets.
Moore wrote without regard to labels. She was a Modernist who used a precise syllabic form and rhymes. She was a defender of the underdog, an early white champion of civil rights and of black artists and athletes who also voted Republican and defended LBJ's continuing the Vietnam War, the latter mainly so as not to abandon the South Vietnamese. She wrote "advertising" verse and patriotic poems during WWII. She was raised by lesbians and then denigrated by second wave feminists.
Her poetry must be read and dealt with if you care about American poetry. Her carefully controlled poems were often described as emotionless and overly intellectual. In truth, she was able to contain deep emotion and thought in precise verse, a skill and aesthetic often not practiced or appreciated since the Confessionals came along.
A fascinating biography. No there are no fireworks or is there physical violence. But there is emotional violence and the heroic strength of a small woman with a large vision and poetic craft.
5 of 6 people found the following review helpful.
ENIGMATIC POET PREVAILS
By M. J. French
Moore's unusual, personal life story is told against the background of her developing work. She had many interesting, literary friends and business associates, not to mention MOTHER and BROTHER. I kept expecting and looking forward to, more emphasis on the work, described as difficult to understand, and cerebral. Overall, the book was a great success, just not quite as complete as I would have liked, as Brett Miller's Elizabeth Bishop felt complete in meshing together her life and work.
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