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Marrow, by Robert Reed
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The Ship has traveled the universe for longer than any of the near-immortal crew can recall, its true purpose and origins unknown. It is larger than many planets, housing thousands of alien races and just as many secrets.
Now one of those secrets has been discovered: at the center of the Ship is . . . a planet. Marrow. But when a team of the Ship's best and brightest are sent down to investigate, will they return with the origins of the Ship--or will they bring doom to everyone on board?
Robert Reed, whose fantastic stories have been filling all the major SF magazines for the past several years, spins a captivating tale of adventure and wonder on an incredible scale in this novel based on his acclaimed novella.
- Sales Rank: #448037 in eBooks
- Published on: 2013-05-28
- Released on: 2013-05-28
- Format: Kindle eBook
Amazon.com Review
The Ship is a rock larger than worlds. The Ship is a world full of vast hollows in which live thousands of alien races. The Ship is a mysterious starship, billions of years old, crewed by the near-immortal humans who discovered it, empty, at the fringes of the galaxy. And, as a select inner circle of the crew is astonished to discover, there is a planet at the center of the Ship. They descend to the surface of the planet, Marrow, hoping to discover the origin of the Ship--only to find themselves trapped on that hellish world and abandoned by their fellow captains, even as tremendous, inexplicable changes in Marrow may doom the Ship and everyone aboard.
Robert Reed's Marrow is high-concept, epoch-spanning SF in the tradition of Olaf Stapledon's Last and First Men, Camille Flammarion's Omega, and Greg Egan's Diaspora. Unlike Last and First Men and Omega, Marrow features a continuing cast of well-drawn, believable characters in addition to the brain-busting big ideas and sense of wonder. --Cynthia Ward
From Publishers Weekly
A ship the size of a large planet drifts through space far into the future, setting the stage for Reed's sweeping allegory dramatizing such cosmological questions as the origins of the universe and the relative nature of size and time. Humans are practically immortal with the improvements of bioceramics and repairing genes, allowing Reed (Beyond the Veil of Stars), a multiple Hugo nominee, to track the lives of the Great Ship's crew members and passengers through millennia. The Master Captain has directed every aspect of the ship via her implanted nexuses ever since human explorers first boarded the seemingly empty, ancient vessel, finding the enormous, lifeless ship equipped with adjustable environments that would allow them to create oceans and cities. The human colonists turn the ship into a luxury passenger cruiser carrying 100 billion members of various alien species. The Master and her captains administer the journey according to plans made eons into the past, handily neutralizing any threats or disruptions until the Master mysteriously sends over 200 of her brightest captains, including her ambitious first-chair, Miocene, and the talented alien greeter Washen, on an exploratory mission to what was thought to be the ship's solid iron core. Disaster befalls their mission, unleashing a 5,000-year course of events that will build a new civilization and eventually threaten the existence of the entire ship. The ship itself narrates italicized introductions to each of the book's five parts with thorny, theatrical language, echoing the ship's obtuse, unwieldy presence. Clumsy dialogue and melodramatic scenes render the human dramas far less consequential than the monumental construct in which they play. However, Reed's ambitious, detailed premise and thoughtful manipulations of space and time make for an enjoyable reflection on the size and shape of the universe relative to its human inhabitants. (Sept.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
At the center of the vast Ship lies a planet known as Marrow, a surprise to its discoverersDinhabitants of the Ship for as long as they can remember. An attempt to unlock the secrets of the Ship's origins by exploring Marrow leads to unexpected complications and the near-destruction of the investigators. Reed (Beyond the Veil of Stars) expands his fertile imagination to create a cast of human and alien characters as well as a vividly depicted universe enclosed within a space-going vessel. Fans of science-based sf as well as sf adventure should enjoy this adaptation of an earlier novella. For most collections.
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
17 of 18 people found the following review helpful.
Clever SF Ideas, Really Big Dumb Objects, Solid, not Great
By Richard R. Horton
The versatile and prolific Robert Reed is back with Marrow, a big novel about what is sometimes called a BDO, or Big Dumb Object. The BDO in this case is a huge spaceship, the size of Jupiter. Humans happen across it, and find it empty of life. They claim it, and turn it into a sort of tourist attraction: almost a cruise ship for cruising the Galaxy. Many separate species are hosted on the Ship, the passengers sometimes using the Ship to travel from star system to star system, but other times staying on for centuries or millennia, even joining the Ship's crew. The crew itself consists of a diverse variety of modified humans, including the Remoras, who live on the outside and repair the Ship's shell, and who have adapted to a lifetime spent in spacesuits; as well as the Captains, essentially immortal (like most humans), able to survive any injury that doesn't vaporize the head. The Master Captain has been with the Ship from its discovery, some 100,000 years. In all this time, nothing significant has been learned about the mysterious Builders of the Ship, or about the Ship's original purpose.
But a great new discovery has been made: there is a strange, iron, world at the very core of the Ship. This world is named Marrow, and a picked crew of the Ship's best Captains, including the Master's right-hand woman, Miocene, and a very talented Captain called Washen, are assigned to find a way to reach Marrow, and to explore it. With great difficulty, they manufacture a path down to the surface of Marrow, only to find it destroyed soon after they reach the surface. Thus begins a 5000 year effort to find a way back to the ship: and even that is only part of the action, as the plot takes numerous twists and turns, and several ideas are advance to explain Marrow and the Ship: all culminating in an action-filled conclusion.
The "Neat Idea" content of this book is impressive indeed. The Ship itself is a cool notion, and so is Marrow. Such inventions as the Remoras are also very fine, as are several of the alien species on the Ship. The plot drags a bit in the center portion, the long period spent on Marrow, but it is resolved pretty well, and with lots of excitement. There is a certain way in which things are almost too big, almost exhausting, and almost easy, in a way. This is a particular problem when considering the characters, Miocene and Washen and the others, who live for millennia but seem much like contemporary people. The magical tech which allows them to survive almost anything seems overconvenient at times, as well. But that's pretty much what you get when trying to consider such huge concepts: the characters are dwarfed, and so too are our usual standards for action and danger. For the most part, Reed delivers on the promises of this book: he promises Big Cool Ideas, and Action, and a satisfying resolution with at least something of an explanation for it all, and by and large, that's what Marrow has. It isn't fully successful, or fully involving on the character level, but it's pretty good.
23 of 26 people found the following review helpful.
My First Exposure to Reed
By RAPHAEL MACIOCE
Okay, I've read the other reviews...all bad and so I am in the unique position of offering an opinion at the opposite end of the spectrum. First why should you believe me over the masses??? Well I've read almost everything ever written by Niven, Bear, Brin, Benford, McDevitt, Card, Gibson, Stephenson, Herbert, Bova, Vinge...and so on. Thus I believe I know a good story when I read one. The idea of a large alien ship floating through space, with the builders long since vanished, has been tried before. I will say that this book is much better than the first Rama book, which at times read like an encyclopia. The last (3) books in the Rama series were great due in no small part I'm sure to input from Gentry Lee. Now back to Marrow. What I liked about the book was that it did include reference to aliens on the ship. The author does go into some detail about (2) of the species, the Remoras and the Harrum-Scarums. True the character development isn't anywhere near what David Brin does with his Uplift saga, but it's good enough to hold your interest. What I liked is that the plot was like an onion. On the outside you have this vast ship, then if you look deeper you find a planet inside called Marrow, and if you look deeper inside Marrow there's something else...and so on. The plot unravels just like this, and at no time does this book become predictable..something I'm sure the critics of this book would have to agree. When I rate a book I compare it to other books not only in writing styles and how the book flows, but does it put forth new ideas. The idea of a ship in space isn't new, but having 200 billion travellers from various races is unique. The idea that people can live forever and sustain incredible amounts of damage and still live (they grow new bodies for you), is new to me. The concept of Marrow itself is new as is the super strong material "Hyperflux" which holds the planet in place. Was the book great? No, but its certainly better than the last (3) bookes written by Jack McDevitt. I'd give this book 3.5 out of 5.0 stars and will certainly read more of Reed.
16 of 18 people found the following review helpful.
Stands on its own, if you like audacity
By Andrew X. Lias
Okay, first an editorial comment: I hate it when people review books on the basis of superficial resemblences to other works. This may have a big world ship, but that's where the resemblence to Rama ends, folks (nor was Rama the first: Heinlein's Universe, anyone?) -- if you want another Rama book, you should direct your comments to Clarke and Lee.
Now, if you can get past that, this is a work that has, I think, a genuinely audacious storyline. Perhaps TOO audacious for some tastes. We are talking about a storyline with hundred-thousand year old characters who are entirely willing to, among other things, wait five-thousand years (building an entire civilization in the process) in order to rescue themselves from being marooned.
The story is certainly an example of that grand old genre known as Space Opera. The science may be a tad "harder" than the old E.E. "Doc" Smith books, but only a tad. The sweep is epic and the characters are (quite literally) superhuman. People who are looking for either fine characterization or for hard technical science really should look elsewhere, because it ain't that sort of book. But if you can read it for what it is (especially if you are a fan of the old genre), I think that it stands up quite well. Certainly, it's not the perfect story -- the characters could have been rendered better, and the resolution seemed a bit forced -- but it is a GOOD example of what it is.
The book only "fails" if one judges it on the basis of what is not. At least that's my (not all that humble) opinion.
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