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Someone: A Novel, by Alice McDermott
Free PDF Someone: A Novel, by Alice McDermott
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A fully realized portrait of one woman's life in all its complexity, by the National Book Award–winning author
An ordinary life—its sharp pains and unexpected joys, its bursts of clarity and moments of confusion—lived by an ordinary woman: this is the subject of Someone, Alice McDermott's extraordinary return, seven years after the publication of After This. Scattered recollections—of childhood, adolescence, motherhood, old age—come together in this transformative narrative, stitched into a vibrant whole by McDermott's deft, lyrical voice.
Our first glimpse of Marie is as a child: a girl in glasses waiting on a Brooklyn stoop for her beloved father to come home from work. A seemingly innocuous encounter with a young woman named Pegeen sets the bittersweet tone of this remarkable novel. Pegeen describes herself as an "amadan," a fool; indeed, soon after her chat with Marie, Pegeen tumbles down her own basement stairs. The magic of McDermott's novel lies in how it reveals us all as fools for this or that, in one way or another.
Marie's first heartbreak and her eventual marriage; her brother's brief stint as a Catholic priest, subsequent loss of faith, and eventual breakdown; the Second World War; her parents' deaths; the births and lives of Marie's children; the changing world of her Irish-American enclave in Brooklyn—McDermott sketches all of it with sympathy and insight. This is a novel that speaks of life as it is daily lived; a crowning achievement by one of the finest American writers at work today.
A Publishers Weekly Best Fiction Book of the Year
A Kirkus Reviews Best Fiction Book of 2013
A New York Times Notable Book of 2013
A Washington Post Notable Fiction Book of 2013
An NPR Best Book of 2013
- Sales Rank: #44785 in eBooks
- Published on: 2013-09-10
- Released on: 2013-09-10
- Format: Kindle eBook
From Publishers Weekly
Starred Review. In this deceptively simple tour de force, McDermott (Charming Billy, winner of the National Book Award) lays bare the keenly observed life of Marie Commeford, an ordinary woman whose compromised eyesight makes her both figuratively and literally unable to see the world for what it is. When we meet her on the steps of her Brooklyn townhouse, she's a bespectacled seven-year-old waiting for her father; McDermott then leaps ahead, when Marie, pregnant with her first child, recalls collapsing at a deli counter and the narrative plunges us into a world where death is literally just around the corner, upending the safety and comfort of her neighborhood; In a few months' time, I would be at death's door, last rites and all, she relates. We follow Marie through the milestones of her life, shadowed by her elder brother, Gabe, who mysteriously leaves the priesthood for which everyone thought he was destined. The story of Marie's life unfolds in a nonlinear fashion: McDermott describes the loss of Marie's father, her first experience with intimacy, her first job (in a funeral parlor of all places), her marriage, the birth of a child. We come to feel for this unremarkable woman, whose vulnerability makes her all the more winning—and makes her worthy of our attention. And that's why McDermott, a three-time Pulitzer nominee, is such an exceptional writer: in her hands, an uncomplicated life becomes singularly fascinating, revealing the heart of a woman whose defeats make us ache and whose triumphs we cheer. Marie's vision (and ours) eventually clears, and she comes to understand that what she so often failed to see lay right in front of her eyes. Agent: Sarah Burnes, Gernert Company. (Sept.)
From Booklist
*Starred Review* “Who is going to love me?” Marie asks her older brother, Gabe, after her heart is broken. “Someone,” he replies. How humble this pronoun is, and what a provocative title it makes. Readers who love refined, unhurried, emotionally fluent fiction will rejoice at National Book Award–winner McDermott’s return. McDermott (After This, 2006) is a master of hidden intensities, intricate textures, spiked dialogue, and sparkling wit. We first meet Marie at age seven, when she’s sitting on the stoop in her tight-knit, Irish-Catholic Brooklyn neighborhood, waiting for her father to come home from work. Down the street, boys play stickball, consulting with dapper Billy, their blind umpire, an injured WWI vet. Tragedies and scandals surge through the enclave, providing rough initiations into sex and death. Gabe becomes a priest. Marie works at a funeral home as a “consoling angel,” acquiring cryptic clues to the mysteries of life via teatime gossip sessions with the director’s wise mother and a circle of wryly knowing nuns. Eventually Marie finds joy as a wife and mother, while Gabe struggles with his faith and sexuality. A marvel of subtle modulations, McDermott’s keenly observed, fluently humane, quietly enthralling novel of conformity and selfhood, of “lace-curtain pretensions” as shield and camouflage, celebrates family, community, and “the grace of a shared past.” HIGH-DEMAND BACKSTORY: A new McDermott novel is big news, and Someone will be heralded nationally with an author tour and enhanced cross-country publicity in all media. --Donna Seaman
Review
“A fine-tuned, beautiful book filled with so much universal experience, such haunting imagery, such urgent matters of life and death.” ―The New York Times
“A remarkable portrait of an unremarkable life.” ―The New Yorker
“Fear and vulnerability, joy and passion, the capacity for love and pain and grief: Those are common to us all. Those are the things that great novelists explore. And it's this exploration, made with tenderness, wisdom, and caritas, that's at the heart of Alice McDermott's masterpiece.” ―Roxana Robinson, The Washington Post
“Just as McDermott manages to write lyrically in plain language, she is able to find the drama in uninflected experience. This is the grand accomplishment of Someone.” ―Charles McNulty, Los Angeles Times
“[McDermott's] sentences know themselves so beautifully: what each has to deliver and how best to do it, within a modicum of space, with minimal fuss...She understands that nothing is unalloyed, not kindness or cruelty, not gladness or despair. Here, in the most deceptively ordinary language, she evokes both the world of light and that of darkness...[Someone] has something of the quality of a slide show...Each slide, each scene, from the ostensibly inconsequential to the clearly momentous, is illuminated with equal care. The effect on the reader is of sitting alongside the narrator, sharing the task of sifting the salvaged fragments of her life, watching her puzzle over, rearrange and reconsider them--and at last, but without any particular urgency or certitude, tilting herself in the direction of finally discerning their significance. This is a quiet business, but it's the sense-making we all engage in, the narrative work that allows us to construct a coherent framework for our everyday existence. It's also a serious business, the essential work of an examined life...McDermott's excellence is on ample display here.” ―Leah Hager Cohen, The New York Times Book Review
“Few contemporary writers can bring a time and place to life as well as Alice McDermott...Beginning in post-World War I Brooklyn, N.Y., and ending up in the split-level suburbs, [Someone] works the subtle magic of all good art--its particulars yield a universal world...Exquisitely observed, the story takes liberties with time, juxtaposing Marie's past, present and future. The characters of her childhood continue to turn up, literally or in memory. Their secrets, their scandals and tragedies, color her adulthood...McDermott treats every character with unsentimental fondness. She never sets herself up to forgive or excuse; instead, she embraces each person with a kind of wonder and acceptance that becomes its own form of morality. A rare and lovely writer, she's given us another book brimming with earthly grace.” ―Tricia Springstubb, The Plain Dealer (Cleveland)
“Novelist Alice McDermott, winner of the National Book Award and three-time finalist for the Pulitzer Prize...does scene. And she's at her most brilliant doing it in Someone...Someone is ordinary Marie's scattered retellings of her ordinary life. In interviews, McDermott has discussed retelling--how it is not the same as what happened. Events take place, and then they are over. What we have to say about them afterward is colored or shaded. Memory transforms. As Marie is retelling, she jumps forward and back in time. Her nonlinear presentation, combined with her strangely faulty eyesight, keeps us fascinated.” ―Isabel Nathaniel, Dallas Morning News
“[Someone is] filled with subtle insights and abundant empathy and grace.” ―USA Today
“‘Ordinary' is a word that's used a lot to describe McDermott's characters, mostly Irish and working class, mostly un-heroic in any splashy way. McDermott's heroine is named Marie and in Someone, we readers hear, in a fragmented way, about the marathon span of her life...yet in McDermott's unsentimental rendering, Marie's ordinary life becomes one for the record books. That's the spectacular power of McDermott's writing: Without ever putting on literary airs, she reveals to us what's distinct about characters who don't have the ego or eloquence to make a case for themselves as being anything special...[McDermott is] a master of silence and gesture.” ―Maureen Corrigan, NPR
“A quiet tour de force of a story. McDermott writes in lyrical yet methodical prose about an ordinary woman living an ordinary life, a seemingly nonstory with heartache, joy, suffering and beauty all simmering beneath the scattered recollections that make up the novel...Marie narrates the novel in a voice that is both subdued and compelling. Her life is punctuated by astute observations of the people around her as she grows from child to adolescent to adult...So skillful, so controlled...Ordinary life is made extraordinary by McDermott's tender characterization of women, of husbands, of sons, of parents--a life that includes both the dark and the light within the simply ordinary.” ―Eliana Smith, The Kansas City Star
“In this deceptively simple tour de force, McDermott...lays bare the keenly observed life of Marie Commeford, an ordinary woman whose compromised eyesight makes her both figuratively and literally unable to see the world for what it is...We come to feel for this unremarkable woman, whose vulnerability makes her all the more winning--and makes her worthy of our attention. And that's why McDermott, a three-time Pulitzer nominee, is such an exceptional writer: in her hands, an uncomplicated life becomes singularly fascinating, revealing the heart of a woman whose defeats make us ache and whose triumphs we cheer. Marie's vision (and ours) eventually clears, and she comes to understand that what she so often failed to see lay right in front of her eyes.” ―Publishers Weekly (starred)
“One of the author's most trenchant explorations into the heart and soul of the 20th-century Irish-American family...Marie's straightforward narration is interrupted with occasional jumps back and forward in time that create both a sense of foreboding and continuity as well as a mediation on the nature of sorrow...Marie and Gabe are compelling in their basic goodness, as is McDermott's elegy to a vanished world.” ―Kirkus
“Readers who love refined, unhurried, emotionally fluent fiction will rejoice at National Book Award–winner McDermott's return. McDermott... is a master of hidden intensities, intricate textures, spiked dialogue, and sparkling wit. We first meet Marie at age seven, when she's sitting on the stoop in her tight-knit, Irish-Catholic Brooklyn neighborhood, waiting for her father to come home from work. Down the street, boys play stickball, consulting with dapper Billy, their blind umpire, an injured WWI vet. Tragedies and scandals surge through the enclave, providing rough initiations into sex and death . . . A marvel of subtle modulations, McDermott's keenly observed, fluently humane, quietly enthralling novel of conformity and selfhood, of ‘lace-curtain pretensions' as shield and camouflage, celebrates family, community, and ‘the grace of a shared past.'” ―Donna Seaman, Booklist (starred)
“[An] incantatory new novel, in which the landscape of memory is a chiaroscuro in motion and the sightlines are seldom entirely unobstructed...The maudlin and the twee that have tripped up so many others' attempts at Irish-American portraiture are no temptation for McDermott. She does not genuflect, nor does she cling to grievance. She looks with a sharp gaze and a generous spirit, finds multitudes even in a clan's closed air, and tells a clear-eyed, kinder tale.” ―Laura Collins-Hughes, The Boston Globe
“Stories of the ordinary become extraordinary...It's easy to understand why McDermott has been a National Book Award winner and Pulitzer finalist for several of her books. Her subtle push to the reader to rely on other senses is brilliant, as her protagonist must do the same. McDermott has a way of transporting a reader not only to see the sights of the city, but also to absorb its heat, smell its food and feel its loss.” ―Beth Golay, KMUW Wichita Public Radio
“Alice McDermott is such a pleasure to read. Her new novel, her seventh, extends her outstanding body of work and further cements her stature as one of our finer writers.” ―Gordon Houser, The Wichita Eagle
“By presenting Marie's life in gorgeously realized anecdotes, [Someone] makes you understand that you, too, are constantly writing your own life, just as Marie has written hers, and that you might be more ordinary than you usually like to think yourself...[It will] astonish you with its image of the infinite anxiety of the human condition, the precariousness of existence, the difficulty and necessity of loving, the epics and comedies and tragedies and elegies embedded in every mundane, pedestrian life.” ―Stephanie Bernhard, Full Stop
“Someone, by Alice McDermott, is a book you will be lost in while the leaves float and swirl about...McDermott is the National Book Award winning author of Charming Billy. This is her first book in seven years and absolutely worth the wait.” ―Cathy Daniels, The Lansing State Journal
“Prize-winning author Alice McDermott has two hallmarks as a novelist: First, she writes intimately and well about the Irish Catholic world in which she grew up. Secondly, she uses ordinary people and events to uncover the extraordinary nature of daily existence...In her latest novel, Someone, she flips the tables with an unlikely heroine who finds love despite herself...Someone: It's not just a title, but also a central theme of a novel that looks at the wonders of love and marriage with a discerning eye . . . The most salient quality of the book, and McDermott's work in general, is her ability to capture the spoken and unspoken richness of our most important relationships.” ―Ellen Emry Heltzel, The Seattle Times
“There is the temptation, after reading Alice McDermott, to read nothing else for the longest time--to hold every exquisite word of her most exquisite novels in your head...That she exercises patience, compassion and wisdom where others emphasize strut, that she trusts herself with the power of scenes over the inflated intricacies of complicated plot. There is the temptation to use the word 'genius' in association with McDermott's name.” ―Beth Kephart, The Baltimore Sun on Child of My Heart
“[A] wondrous new novel...Child of My Heart extends [McDermott's] artistic triumphs, and we should rejoyce.” ―Los Angeles Times Book Review on Child of My Heart
“A master...As good as any literary novelist writing today, and when I say that I include the big guns: Russell Banks, Philip Roth, Toni Morrison...All [McDermott's] books mirror the essential truths of existence so sure-handedly that they are neither comedies nor tragedies, but merely true.” ―Anna Quindlen on Child of My Heart
“Has something classic about it...[Its] craftsmanship and its moral intelligence are as one...Immaculate.” ―The New York Times Book Review on Child of My Heart
“Richly textured, intricately woven...A work not only of, but about, the imagination.” ―Margaret Atwood, The New York Review of Books on Child of My Heart
“In a league of her own.” ―People on Child of My Heart
“We have echoes and stirrings of Hardy, Shakespeare, Dickens, James, Beatrix Potter, Christina Rosetti...[Theresa] is a vessel containing a multitude of heroines, a transcendence of ethereal beauties who loved and live in the minds of their readers and inventors.” ―Chicago Tribune on Child of My Heart
“[A] quietly enchanting novel, graced by McDermott's well-calibrated writing and observant eye... Filled with subtle truths and hard-won wisdom.” ―The Charlotte Observer on Child of My Heart
Most helpful customer reviews
130 of 149 people found the following review helpful.
A masterpiece
By Eric
I'm a huge fan of Alice Mcdermott and this is clearly her finest work. If not already recognized as one of America's finest writers, Someone will establish her credentials for generations to come. As stated in Roxanna Robinson's rave review in the Washington Post "This kind of novel is necessary to us...This kind of knowledge expands our understanding, it enlarges our souls." I just finished Someone but given the richness of Alice McDermott's prose and the poetry of each line I'm certain to return to it again and again.
118 of 138 people found the following review helpful.
Do yourself a favor
By moviegoer
This writer has won the National Book Award and has been nominated for the Pulitzer Prize three times. I know, I know, "past performance is no guarantee..." but still,
McDermott has done it again. Don't be surprised if this novel acts as a magnet for prizes. It's like a perfect miniature, with not a wasted word. The prose is flawless, and
flows like water downhill. It's as if a certain very famous female Canadian short story writer had written a novel. Do yourself a favor and read this novel.
48 of 54 people found the following review helpful.
Quietly terrific
By DGreen
A master work. Even better than the other Alice McDermott's I've read.
One detail stands out for me. When narrator Marie finally finds a husband (Tom) and is safely in bed with him on her wedding night in a hotel room (with sheets smelling faintly of bleach), she says: "For one of us, we knew, we were certain--this is how we saw the world--there would never again be loneliness. For Tom, it turned out."
This critical observation is never mentioned again. Marie's loneliness is never fleshed out, or described in any way, yet it continues hold sway over the rest of the book. This is what Alice McDermott is so good at, conveying the deepest emotions indirectly, quietly, with just a slight shift of the hip or raise of an eyebrow.
See all 557 customer reviews...
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