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How To Be a Good Wife: A Novel, by Emma Chapman
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How To Be a Good Wife by Emma Chapman is a haunting literary debut about a woman who begins having visions that make her question everything she knows
Marta and Hector have been married for a long time. Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector's aloof mother on their wedding day.
But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can't recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta's visions persist and her reality grows more disjointed, it's unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.
- Sales Rank: #301179 in eBooks
- Published on: 2013-10-15
- Released on: 2013-10-15
- Format: Kindle eBook
From Publishers Weekly
In Chapman's chilling debut, it's immediately clear that Marta Bjornstad is uncomfortable in her empty nest, with her son Kylan living in the city and her husband Hector more distant than ever before. Cracks begin to appear in Marta's formerly comfortable life: she discovers cigarettes in her purse and enjoys smoking them, though she has never smoked before. She yearns to travel, although for the past 20 years her life has been circumscribed by the mountains on either side of the small valley in the unnamed Scandinavian country in which she and Hector live. She stops taking her medication and begins to question some of the things she'd previously taken for granted—for instance, Hector's insistence that she take her medicine (he even placed the pills on her tongue). She also begins to see a girl in dirty pajamas, who seems to need her help. And her outright hostility to Kylan's new fiancée only widens the cracks, alienating the person she loves the most. As she examines more closely what's beneath her family's habits and some of her own memories, she becomes certain that she has uncovered a terrible dark truth that—if she reveals it—will tear their lives apart. Despite a far-fetched conclusion, Chapman excels at creating tension and suspense. (Oct.)
From Booklist
Much like the unreliable narrator of S. J. Watson’s Before I Go to Sleep (2011), to which this debut novel bears a strong resemblance, the narrator of Chapman’s clever chiller, which is set in an unnamed Scandinavian country, seems uncertain of her own history and circumstances. Marta stopped taking her medication after her son left home and is being visited by a series of images—or are they repressed memories?—of a young girl, always hungry and dressed in ill-fitting, increasingly filthy pajamas, who is confined to a small room. Marta’s husband, Hector, 20 years her senior, tells a romantic story of their first meeting, but Marta is beginning to suspect that the stories Hector tells are fabrications. The one constant is her referencing of the marriage manual How to Be a Good Wife, whose pithy maxims (“Let your husband take care of the finances. Make it your job to be pretty”) read like the diary of a mad housewife. Although some may find the ambiguous ending frustrating, others will be drawn into this claustrophobic examination of the meaning of marriage. --Joanne Wilkinson
Review
“An accomplished debut from a writer who shows insight and emotional power.”—Hilary Mantel, New York Times bestselling author of Wolf Hall and Bring Up the Bodies
“[An] extraordinary book...Chapman has written a brilliant twist.”—The New York Times Book Review
“On the surface the book is a highly competent, creepy little chiller, but beneath, like a silent, bolted, and half-dark room, there’s a much bigger, equally disconcerting story about the nature of feminine experience.”—Hilary Mantel, New York Times–winning author of author of Wolf Hall and Bring Up the Bodies
“[The] claustrophobic, interior-driven narrative harks back to Charlotte Perkins Gilman’s disturbing feminist classic The Yellow Wallpaper, or even Ibsen’s A Doll’s House.”—The Guardian (London)
“[A] chilling debut...Chapman excels at creating tension and suspense.”—Publishers Weekly
“How To Be a Good Wife is at once claustrophobic, startling and hauntingly beautiful. It’s that amazing, awful kind of book that will stay with you long after you wish it would let you go.”—Liza Klaussmann, author of Tigers in Red Weather
“A compelling, twisty tale of deception and distrust. Beautifully written, and very clever.”—Elizabeth Haynes, author of Into the Darkest Corner
Most helpful customer reviews
23 of 26 people found the following review helpful.
The reader gets two bad options
By Gracie
It is not possible to discuss this book without some spoilers. I will try to be vague.
I curled up to read this on a rain Sunday afternoon. Sunday evening, I threw it against the wall and stomped off. I have rarely been so frustrated and disappointed with a book.
The problem is that you have two options reading this. You can believe Marta or you can disbelieve her. If you disbelieve her you have an unreliable narrator telling the story of a woman losing her mind. If that is the case, it is done at an excruciatingly slow speed. The revelations are tiny and doled out in the exhaustive narration of banalities. If she is an unreliable narrator, this book is not creepy. It is the tedious descent into total insanity.
Or she is telling the truth.
And if she is telling the truth this becomes the most frustrating and disappointing story. If Marta is right, then this is a monster story told for the comfort of monsters. The evil is never answered. The son who Marta so venerates is useless. The monsters have arranged Marta's world so neatly that she never escapes in a meaningful and gratifying way. When she first goes to her sons apartment she says that she is going to the police in the morning. She finds time to do a great deal but not that or anything that would save her.
In the end she is either a hopeless lunatic or the most completely broken person imaginable. It makes her story hard to invest in. This is a real rip off when you have already invested in her and her story.
14 of 15 people found the following review helpful.
Hated the ending!
By Nancy
I was more than 60% through the book before it engaged me. Page after page of a meek housewife hallucinating (or remembering?) and hints of a dark and troubled past.Her husband begs her to take her pills - he even puts them in her mouth but she doesn't swallow them because she wants to come to grips with the strong images and flashbacks that torment her. I was rooting for her to take her pills just like her husband so I wouldn't have to read any more of this. But then we start to believe that Marta is not hallucinating but rather remembering real events that happened before her marriage - terrible events involving her husband. The reader starts to believe that maybe Marta is not "crazy" but rather the victim of a terrible crime...
The ending is terribly disappointing - completely unsatisfying. I understand that the author wanted to explore the complex psychology of memory, but I want good guys to prevail and bad guys to be punished. And I didn't get that satisfaction.
4 of 4 people found the following review helpful.
A tense, claustrophobic psychological thriller.
By Miss Jenna
Take small mouthfuls of food, like a baby bird, and make sure to chew daintily with your mouth closed.
Emma Chapman’s How To Be A Good Wife, a tense, claustrophobic psychological thriller, is punctuated by such glimmering diamonds of 1950’s marital etiquette. I felt an instant kinship upon seeing this- I remember copying similar advice into the margins of feminist zines I wrote as a teenager, in my very best curly penmanship, with tiny stars and exclamation points for proper emphasis. On any topic, the advice always amounted to the same thing: shrink yourself. Quiet your voice to be pleasant to his ears, shrink your personality so as not to outshine his own, shrink your waistline, quell your desires, stop wanting, stop needing. Stop existing.
When we meet Marta Bjornstad, she has bought into the propaganda, fish hook and line, in her perfect gleaming home where nothing is ever out of place. But we quickly realize something is horribly amiss, the cracks in the veneer rapidly widening to show the rot beneath.
I don’t like to give spoilers in reviews, but I think with this book, the most fascinating aspects can’t be discussed without a bit of spoiling. At the same time, I feel like the “secret” at the heart of the book isn’t particularly meant to come as a huge revelation to anyone but the protagonist herself.
After twenty years lived behind a gentle, medicated fog, Marta stops taking her happy pills. From the first appearance of a young blonde girl in the flood of hallucinations and memories that follow, I think any savvy reader will begin to sense where this tale will lead. To a dark place beneath the doorstep, a tiny hidden room with the stench of desperation and the furniture nailed to the floor.
It’s a sparse, interesting study of captivity, and hits on the question often asked when children who have been taken are found years later, often fully acclimated to their new lives and even unaware that they had been kidnapped: Why didn’t they run away? From the psychological studies I’ve read, it’s shocking how little time it takes to completely strip a person of their identity, through isolation and fear.
So when someone such as Marta begins to emerge from this state, to try to find her way back to her true self, how difficult it must be to trust her own thoughts and emotions. How easily dismissed those same thoughts and memories would be by everyone around you.
In the end, the book is actually less about the salacious, television version of captivity and more about the strange sort of confinement that marriage and motherhood entail for all women. The sacrifices women make for the happiness of others. The way we are taught even now that indulgence and selfishness are sins, that we must care for the future and happiness of our families no matter what the cost to ourselves. That not existing is preferable to living too loudly or venturing onward and beginning again.
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