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The Change and Cherish trilogy, based on the true story of Emma Wagner Giesy, now available in one volume:
A Clearing in the Wild
When Emma’s outspoken ways and growing skepticism lead to a clash with the 1850s Bethel, Missouri colony’s beloved leader, she finds new opportunities to pursue her dreams of independence. But as she clears a pathway West to her truest and deepest self, she discovers something she never expected: a yearning for the warm embrace of community.
A Tendering in the Storm
Determined to raise her children on her own terms, Emma suddenly finds herself alone and pregnant with her third child, struggling to keep her family secure in the remote coastal forest of the Washington Territory. As clouds of despair close in, she must decide whether to continue in her own waning strength or to humble herself and accept help from the very people she once so eagerly left behind.
A Mending at the Edge
As a mother, daughter, sister, and estranged wife, Emma struggles to find her place inside—and outside—the confines of her religious community. Emma reaches out to others on the fringe, searching for healing and purpose. By blending her unique talents with service to others, she creates renewed hope as she weaves together the threads of family, friends, and faith.
- Sales Rank: #184702 in eBooks
- Published on: 2013-11-05
- Released on: 2013-11-05
- Format: Kindle eBook
Review
Praise for A Clearing in theWild
“A Clearing in theWild is Jane Kirkpatrick at her finest.The story is quickly paced and engaging from the first to the last. One of the most difficult tasks for a writer—and Kirkpatrick’s specialty—is to contemplate the lives of real people and to re-create a believable episode in those lives that is accurate yet interesting, to both inform and entertain. The dialog sings masterfully with perfect tone, building characters and pushing the story line in succinct phrasing that never overstates. Emma Wagner Giesy’s story feels as genuine as if she herself were telling it.”
—NANCY E. TURNER, author of Sarah’s Quilt and TheWater and the Blood
“Jane Kirkpatrick has done it again! A Clearing in the Wild introduces us to a feisty young heroine who, by her determination, ingenuity, and faith, helps to create a home and a life in the wilderness. Readers are sure to fall in love with Emma as she weaves the story of her life, creating a pioneer tapestry and leaving us anticipating the next layer of her inspirational story.”
—RANDALL PLATT, author of Honor Bright and The Likes of Me
“Through her careful research, Jane Kirkpatrick has captured the trials of those who are determined to settle a land that does not easily yield to civilization. She has brought to life another woman in our history whose faith, strength, and commitment is a testament to not only the pioneer spirit but the human spirit as well. Thank you, Ms. Kirkpatrick, for not allowing Emma Wagner Giesy to languish in obscurity.”
—KARLA K. NELSON, owner of Time Enough Books in Ilwaco, Washington
“Emma Wagner Giesy is brave, willful, and beautiful, and A Clearing in the Wild brings her to life without for a moment sacrificing her complexity. Kirkpatrick compels us to think again, and deeply, about the needs of the body, soul, and mind; and in these pages she proves once again that she is a gifted chronicler of the lives of women in theWest.”
—MOLLY GLOSS, author of The Jump-Off Creek and Wild Life
Praise for A Tendering in the Storm
“Jane Kirkpatrick again proves herself to be one of the finest writers working in historical fiction today. With A Tendering in the Storm, Kirkpatrick applies her usual meticulous research and rich period detail to give readers a wonderful story with strong, unforgettable characters. Beautifully and thoughtfully written as always, this novel will capture your attention, your imagination, and your heart.”
—B. J. HOFF, author of the Mountain Song Legacy and An Emerald Ballad
“Once again Jane Kirkpatrick’s attention to historic detail brings the hardscrabble existence of theWillapa Bay pioneers to life. In A Tendering in the Storm, Emma Wagner Giesy struggles with choices she makes in response to great tragedy. With rigid honesty, Kirkpatrick shows the consequences of these choices and how Emma regains her strength through love, trust, and sacrifice.”
—KARLA K. NELSON, owner of Time Enough Books in Ilwaco, Washington
“The title A Tendering in the Storm keenly expresses the continuing story of the intrepid Emma Wagner Giesy as she struggles between the comfort and security of her religious community and self-reliance in the midst of tumult. Jane Kirkpatrick’s impressive research on this true character reveals many realities of one woman’s efforts to carve out a life for herself and her children on the burgeoning frontier of Washington Territory. In her engaging style rich with metaphor and imagery, the author explores issues still relevant in today’s world: women’s rights, child custody, property rights, domestic violence, and religious freedom. Bravo!”
—SUSAN G. BUTRUILLE, author of Women’s Voices from the Oregon Trail and Women’s Voices from theWestern Frontier
Praise for A Mending at the Edge
“I love when a book illuminates a small slice of history that has relevance to our lives today—even better when it does so with interesting characters and a compelling story. Emma Giesy is a woman with flaws and attributes we all can relate to and whose journey is one that easily could have taken place today.”
—JUDITH PELLA, best-selling author of the Daughters of Fortune series
“Jane has a gift for breathing simple beauty into the lives of remarkable historical women characters. In A Mending at the Edge, Emma comes off the page and shows readers an unforgettable picture of a very unique Oregon community.”
—ROBIN JONES GUNN, author of the best-selling Glenbrooke series and the Christy Award–winning Sisterchicks novels
“Jane Kirkpatrick’s knack for stitching history and fiction together is as skillful as the quilts she writes about in the Change and Cherish Historical Series. A Mending at the Edge is a satisfying ending to an absorbing series that manages to stay true to the past while relating remarkably well to today’s modern women.”
—TINA ANN FORKNER, author of Ruby Among Us
“In A Mending at the Edge, Jane Kirkpatrick completes the literary quilt of the Emma Wagner Giesy trilogy, piecing together the historical fabric of Emma’s personal story with that of the Aurora Colony. Emma’s efforts to find a house—and a home—in this communal society in Oregon once again reflect the conflict of individual and community needs represented in Kirkpatrick’s earlier two works in the Change and Cherish Historical Series. Based on a solid historical framework of the Aurora Colony and the broader social, political, and cultural landscape of the 1860s, Kirkpatrick offers a story of hope and achievement that captures the spirit of giving, sharing, and receiving central to ‘mending’ within a communal settlement.”
—JAMES J. KOPP, communal historian and board member of the Aurora Colony Historical Society
“Jane Kirkpatrick artfully weaves this story for us, rather like Emma and the women of Oregon’s Aurora Colony weave together their quilted existence as well as their personal quilting projects. Her masterful placement of the fresh-turned phrase and the graceful metaphor enriches this captivating and yet disquieting story of mid-nineteenth-century pioneer women whose lives are so very different from ours—or are they?”
—SARAH BYRN RICKMAN, author of Nancy Love and theWASP Ferry Pilots of WorldWar II, The Originals, and Flight from Fear
About the Author
Jane Kirkpatrick has authored more than twenty books, including The Daughter’s Walk and Where Lilacs Still Bloom. A lively speaker, Kirkpatrick is a frequent keynote presenter for conferences, women's retreats, fund-raisers, and workshops. Jane believes that our lives are the stories that others read first and she encourages groups to discover the power of their own stories to divinely heal and transform. She lives with her husband, Jerry, in Central Oregon.
Excerpt. © Reprinted by permission. All rights reserved.
The Thread of Love
Some say that love’s enough to stave off suffering and loss, but I would disagree. Quietly, of course. Words of dissent aren’t welcome in our colony, especially words from women. I should have learned these lessons—about dissent and love—early on before I turned eighteen. But teachings about spirit and kinship require repetition before becoming threads strong enough to weave into life’s fabric, strong enough to overcome the weaker strains of human nature. It was a strength I found I’d need one day to face what love could not stave off.
But on that Christmas morning in Bethel, Missouri, 1851, celebrating as we had for a decade or more with the festivities beginning at 4:00 a.m., a time set by our leader, love seemed enough; love was the thread that held the pearls of present joy. It was young love, a first love, and it warmed. Never mind that the warmth came from the fireplace heat lifting against my crinoline, so for a moment I could pretend I wore the wire hoop of fashion. Instead of something stylish, I wore a dress so simple it could have been a flannel sheet, so common it might belong to any of the other dozen girls my age whose voices I could hear rising in the distance, the women’s choir already echoing their joy within our Bethel church. Winter snows and the drafts that plagued my parents’ loft often chilled me and my sisters. But here, on this occasion, love and light and music and my family bound me into warmth.
Candle heat shimmered against the tiny bells of the Schellenbaum, the symbol of allegiance my father carried in the church on such special occasions. The musical instrument’s origin was Turkish, my father told me, and militaristic, too, a strange thing I always thought for us German immigrants to carry forth at times of celebration. The musical instrument reminded me of an iron weather vane on top of one of the colony’s grain barns, rising with an eagle at the peak, its talons grasping an iron ball. Beneath, a crescent held fourteen bells, alternating large and small, dangling over yet another black orb with a single row of bells circling beneath it. A final ring of tiny bells hovered above the stand my father carried this early morning. As a longtime colonist, he walked worshipfully toward the Tannenbaum sparkling with star candles placed there by the parade of the youngest colony girls.
My father’s usual smiling face wore solemn as his heavy boots took him forward like a funeral dirge, easing along the wide aisle that divided men from women, fathers from daughters, and mothers from sons even while we faced one another, men looking at women and we gazing back. All one thousand members of the Bethel Colony attended. The women’s chorus ended, and I heard the rustle of their skirts like the quiet turning of pages of a book as they nestled down onto the benches with the other seated women.
Later, the band would play festive tunes, and we’d sing and dance and give the younger children gifts of nuts and apples, and the men might taste the distillery’s nectar of whiskey or wine, though nothing to excess, before heading home to open gifts with family.
We began the Christmas celebration assembled in the church built of bricks we colonists made ourselves.We gathered in the dark, the tree candles and the fire glow and our own virgin lanterns lighting up the walnut-paneled room as we prepared to hear Father Keil—as my father called him—preach of love, of shared blessings, of living both the Golden and the Diamond Rules. He’d speak of loyalty to our Lord, to one another, and ultimately to him, symbolized on this day by the carrying of the Schellenbaum and the music of its bells across the red-tiled floor.
As my father passed in front of me, I spied my older brother, Jonathan, my brother who resembles me. He, too, is small and slender with eyes like walnuts framed by thick brown eyebrows set inside a heart-shaped face. I used to tease my brother about his chipmunk cheeks until the day I overheard Helena Giesy say, “Emma Wagner and her brother look like twins, though Jonathan is two years older. Such puffed up cheeks they share,” she said. Our rosy cheeks bind us.
Jonathan held his lower lip with his teeth, then raised his eyebrows, letting his eyes move with deliberateness toward the front and the tall, dark-haired man standing next to Father Keil. Now my heart skipped. Jonathan lifted his chin, grinned. My face grew warm.
I never should have told him.
At least I kept the secret from the little ones, though Catherine at nine, wise beyond her years, would claim she was adult enough to know, but she’d have clucked her tongue at me for even thinking in the way I did. David, Johanna, Louisa, and William, well, they’d have blabbed and babbled without knowing what they really said.
The bells tinkled and the band struck up notes. Later, if the weather held, the band would move out onto the platform around the church steeple and play Hark! the Herald Angels Sing so loudly that perhaps the ears of those in Shelbina thirteen miles south would be awakened and our colony would intrude on them, but in a glorious way. We were meant to be set apart by our commitment to the common fund, Father Keil told us, and yet to serve. Lately, Shelbina and its railroad threatened us. My father said Father Keil grew worried that Shelbina’s life might lure young men away. Father Keil would do his best to keep Bethel’s sons loyal, separated, even though he said our passion should be to bring others to our fold, save others from God’s planned destruction of our world, give to those in need, especially to widows and their children, We were to bring to the colony, through our acts of love, the women who wore white globes called pearls around their necks, the fine ladies who sought after jewels and gems that marked false loyalties to luxury over faith.
Neighbors. The people of Shelbina were good neighbors, I always thought. They bought our gloves, our wine, and our corn whiskey. But few of us really knew them.We had no way of knowing if they’d heard about the coming destruction or if they suffered from worries and woes. Our religious colony cherished lives of simplicity, sharing frugal wealth in common, all needs of colonists met, silencing desire for unnecessary passions. Whatever cash we earned went to the common purse. If we needed cash for some outside purchase, we went to that same coffer. Whatever we needed from the colony’s yield, we simply walked to the storehouse to secure it.My mother said it eased all worry about the future; I saw it as one more person to have to convince to let loose the purse strings.
We colonists were different from those around us in Missouri; we were an island of our own. We worked to stay unsullied by the larger distractions of the world that Shelbina symbolized even while we attempted to bring others into the joys of our colony’s ways.
Only the strongest of us could reach outside and yet stay faithful, Father Keil said. I smoothed my skirt and felt the ruffle.
The brass horns pierced the room, announcing Father Keil’s beginning words. Angels’ trumpets. Music is the perfect way to celebrate a glorious occasion, I’ve always thought. Jonathan played in the men’s band. Not me. Not girls, not young women. Our music came from our voices raised in the choir or while beating rugs or dyeing wool or serving meals to men. I couldn’t carry a tune in a candlestick holder, something else that made me different.
But separation from the women’s choir or the brass instruments of music did not keep me from the joy of this day especially.
My father set the Schellenbaum on its stand, then took his place across from us, sliding next to my brothers, who then wiggled on down the bench, a place they always sat.We’d been a part of this colony for as long as I could remember. My father had been one of three scouts sent out from Pennsylvania by our leader to find a “place of separation” in the unknown territories, far from the larger world. I was five years old when we moved with other German families discouraged by the changes in George Rapp’s colony at Harmony, Pennsylvania. We seceded first to Phillipsburg, then into Indiana, then into Shelby County, Missouri, where our leader imagined Bethel into being. It is a joyous place, Bethel, even though my father says many will be summoned in the morning to discuss reasons we might have to leave again.
Change never troubled me. I welcome change, newness, though I work to keep my pride in check about it. Pride is an evil thing, our leader tells us.We must not envy, must not lust, must not covet. So no one knows I’ve stitched a ruffle to my crinoline. It is a harmless vanity easily removed but one that warms my spirit knowing it is there, unique on this winter morning as crisp as a hot-ironed crease. I gaze without envy along the row of plain and simple wool dresses of Bethel’s sisters on the benches.
Change has its richness in a colony where everything seems the same. At seventeen, I am of marriageable age, so change sticking its head inside my door will be patted like a welcomed dog on its happy head.
Before we left our brick home this morning, my mother cautioned me when I noted that thismight bemy last Christmas as Emma Wagner. Next year, next Christmas, I might carry a new name and enter the festivities not as a child, but as a woman.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Historical read
By Brenda C
At 1146 pages Emma of Aurora was one that I kept putting off, but once I started reading,I realized that I had already read the first book in the story allowing me to skip to the next. Emma of Aurora is the story of Emma Wagner who lived in a colony during the mid 1800's. She was only seventeen when she fell in love with a man twenty years her senior, thing is her colony leader is against marriage, but that doesn't stop Emma. She and Christian Giesy are married and she and her husband are sent off on a land seeking mission. The journey that ensues is an adventure in it's own right, and we watch as a settlement is established, we also witness the strength of this remarkable woman.
I love historical fiction, and this one was based on the true story of Emma Wagner Giesy. I will admit the book ebbed and peaked, it was slow going at times to read this one, but overall I am glad that I finished it! I found the historical detail to be rich, allowing the time period to come to life. The author provides a handy cast of characters at the beginning of the book to make it easy to figure out who's who.I really enjoyed reading the author notes which provided historical facts to go along with the story, there is also a list of recommended reading if one is interested in reading more about Ms. Giesy. Overall a story worth reading if your a fan of historical fiction that is based on real events and real people.
A complimentary copy of this book was provided for review.
3 of 3 people found the following review helpful.
A DETERMINED, STRONG WOMAN WHO TOKE THAT FIRST STEP
By gayle pace
REVIEW 5 MINTS
1850's, Emma was very outspoken which wasn't the normal for women back then. This led to a problem with the loved colony leader in Bethel Missouri. She is determined to follow her dreams of being an independent woman. Even though she is making her way West, there is something missing. Something she never thought would matter. A sense of community.
A TENDERING IN THE STORM
Emm finds herself alome and pregnant with her third child. She was determined that the children would be raised on her terms. Now she is alone with another baby on the way. She struggled to keep her little family safe in the remote Washintgon Territory. She was in a fog of despair, not knowing if she should continue even in her weakened state or ask help from the very ones she had walked away from.
A MENDING AT THE EDGE
Emma finds herself struggling to find her niche again. Right now being a mother, daughter, sister and estranged wife, she needs to find her place within the warmth off her religious community. Emma finds that there are others on the edge just like her. She goes to them seeking a purpose for all of them. She takes her talents and with new hope she brings together the torn binds of friends, family and of course, faith.
MY OUTLOOK
I loved the book since it was a trilogy all in one book. When one story w as ddone, you didn't have to go hunt down the next book. It is within a page. I also liked the fact that it was about a real person. The author slowed the story down when she wanted the focus to be on Emma's thoughts and feelings. Emma was trying hard to listen to God and how he was trying to lead her life and be a good mother and wife. I'm glad it didn't move at a fast pace. The slower pace allowed the reader time to look into the characters and try to understand their feelings. It felt that the Ms. Kirkpatrick wrote about Emma's life, this not being a romance or love story. The author described detailed struggles and daily problems the community encountered every day. This community didn't seem to be the good, faithful, loving community of God that a reader may have a picture of. There was just something there that didn't feel like the grace of God. This was a historical fiction book, which I felt contained a lit of truth.If you like historical fiction with adventure slipped in along with one woman's strength to go on, then this is the book for you. It is quite long with the three stories in one volume. but well worth the
time.
I would give this book a 5 MINTS.
I was given a complimentry copy of EMMA OF AURORA by Jane Kirkpatrick frrom BloggingforBooks/Multnomah for my uncompendated independent review.
2 of 2 people found the following review helpful.
historical fiction based on a true story
By Sandy Sandmeyer {Sandy's POV}
Emma of Aurora is a historical fiction that is woven around the story of Emma Wagner Giesy, a real member of the Christian commune by Jane Kirkpatrick. The book that I received was the complete Change and Cherish Trilogy containing the books A Clearing in the Wild, A Tendering in the Storm, and A Mending at the Edge. The book is 1163 pages long. If you have the opportunity, I suggest reading it on a Kindle. The book is heavy!
This was a great book that gives the reader an idea of what life was like in the mid-1800's. The book opens in Bethel, Missouri at a Christian colony. The community lived separated from others so that they could live a fully-committed life in service to God and others. They live on a principle called the Diamond Rule, which is more powerful than the Golden Rule. The Diamond Rule says that they should leave others' lives better than theirs. The Bethel Society was made up of mostly Germans and Swiss and was lead by their founder William Keil, who ruled with a heavy hand. Women and men sat separately in church and women made very few decisions for themselves. However, our main character, Emma, is a very independent thinker and loved to push the boundaries of what was proper for women of her time.
The first book, A Clearing in the Wild, starts when Emma is a teenager. It tells how she met and married her husband, Christian, and how with seven other men, they forged their way west to find a new place for the community to settle because they were fleeing the railroad and the influence of the outside world. The new colony struggles with the weather, huge trees, few tools, and a lack of workers to make the community a liveable place before the others arrive from Bethel. Emma struggles to raise her firstborn child with few resources.
Book two, A Tendering in the Storm, opens with Emma and her family living in Washington Territory after some of the Bethel Colony arrives and finds Willapa insufficient for the new colony location. William Keil takes the group and they move into the Oregon Territory and settle in Aurora. Emma's husband, Christian, dies and, never one to take help from others, Emma struggles to raise her three children alone. After a time, she marries her husband's cousin, Jack, a man who likes to draw and is fond of alcohol.
In A Mending at the Edge, book three in the Change and Cherish trilogy, Emma struggles to find a place in the Aurora Colony, because she is still is as headstrong as ever. While the colony continues to get new arrivals from the Bethel Colony, Emma is raising 4 children on her own. She fights to get a house for her children and herself while many others have none. When the colony decides that it would be best for Emma's sons to be raised with a man's influence, Emma starts taking in single women who are in need of refuge.
I really enjoyed reading Emma of Aurora and it was made more enjoyable knowing that much of what I was reading actually happened. I strongly recommend this book to teenagers and adults alike. This book is definitely worth the manufacturer's retail price with the all three books in one volume.
"I received this book for free from Blogging for Books for this review."
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